Conference Program (Central European Time, Berlin)
Wednesday, January 13
12.00-1.30 p.m.: Negotiations of Genre |
Allison Serraes (Johannes Gutenberg University) Toni Cade Bambara’s Crime Novel and The Southern “True Crime” Genre |
Tjalling Valdés Olmos (University of Amsterdam) Pastoral Afterlives in Queen Sugar: Genre, Affect, and Abolition in the Cultural Imagination of the US Rural South |
Hendrik Burfeind (Kiel University) Black Country Music and the Intersection of Genre, Race, and Region |
2.00-3.30 p.m.: Hauntings in Southern Literature |
Vanesa Lado-Pazos (Universidade de Santiago de Compostela) Haunting Back: A Study of Spectrality in Jesmyn Ward’s Sing, Unburied, Sing |
Thomas Austenfeld (University of Fribourg) “a swamp // where graves had been. I recall”: Natasha Trethewey’s Monumental Work of Memory |
Ahmed Honeini (Royal Holloway University of London) “Salvation is just words”: William Faulkner and the irreligiousness of As I Lay Dying |
4.00-5.15 p.m.: Keynote Lecture |
Riché Richardson (Cornell University) The Birth of a "Formation Nation" |
Thursday, January 14
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Rieke Jordan (Goethe-University Frankfurt) CANCELED Formulating the Speculation: Beverly Tucker’s The Partisan Leader and Southern Futures in the American Literary Imaginary of the Nineteenth Century |
Siân Round (University of Cambridge) WILL TAKE PLACE AT 1:30 P.M. (CET) Exploring Southern Periodical Studies: Methods and Motivations in the Material Text |
2.00-3.30 p.m.: Imaginations of “the South” in Popular Culture |
Greta Kaisen Southern Spaces in Video Games: Exploring Red Dead Redemption 2 |
Janina Wedig (Heinrich Heine Universität) More Southern than the South – Gillian Flynn’s Imaginary Town of Wind Gap |
Ella Waldmann (Université de Paris) Aural Imaginations of the South in the Podcast S-Town |
4.00-5.30 p.m.: Plac(ing) Place |
Scott Romine (University of North Carolina) No Place in Southern Studies |
Marco Petrelli (University of Bologna and University of Turin) A Theory of Southern Time and Space: Memory, Place and Identity in Natasha Trethewey’s Native Guard |
Corin Kraft (University of Basel) Jesmyn Ward’s Sing, Unburied, Sing and the Place of “Place” as Memory |
6.00-7.00 p.m. |
A Conversation with E. Patrick Johnson (Northwestern University) (with Evangelia Kindinger and Anne Potjans) |
Friday, January 15
11.00 a.m.-12.15 p.m.: Keynote Lecture |
Martyn Bone (University of Copenhagen) The Scale of Black Southern Life and Death in Jesmyn Ward’s Writing |
1.30-3.00 p.m.: Transnational Trajectories |
Hilary Meuter (TU Dortmund) The Defeated Versus the Victors: A Transatlantic Comparison of the Confederate Memorial at Arlington National Cemetery |
Amy Doherty Mohr (LMU Munich) “yuh got tuh go there tuh know there”: Zora Neale Hurston’s Literary Expressions of Migration as Testimony |
Annika Schadewaldt (Leipzig University) Circulation, Sickness, and the Transnational South in Katherine Anne Porter’s Pale Horse, Pale Rider |
3.30-5.00 p.m.: Practices in Southern Studies |
Michael P. Bibler (Louisiana State University) Queer and Now . . . in the Plantationocene? |
Gina Caison (Georgia State University) When was the South?: Indigenous Studies and the Problem of Region |
Laura Wilson (Fisk University) The History of Black Studies at HBCUs in Nashville Project |